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The Irish Eurovision Website
 

 

SWEDEN 1974 - ”Waterloo”

Performed at Eurovision by ABBA

Music composed by Benny Andersson and Björn Ulvaeus 

Lyrics written by Stikkan Anderson 

Finished 1st at Eurovision

Listen to the song (wma)

Watch the performance (narrowband) (broadband - upgraded)

Voted the best Eurovision song of all time.

THE SONG

The United Kingdom hosted the Eurovision Song Contest in the seaside resort of Brighton in 1974, as Luxembourg had won at home in the previous year and the EBU decided that it would be unfair to ask the tiny principality to stage the competition again. By 1974 it appeared that the contest while successful, was becoming slightly detached from the mainstream of modern music. In the three previous years, ballads sung in French had won the competition and while they all had gone on to be international hits, none could be said to be typical of 1970's pop music. 

From the moment that people saw the previews, it was obvious that the 1974 contest was going to be one of the best in the competition's history. There were many top quality songs and it was hard to pick an obvious favourite. In the days before he show, one of the most highly rated songs, the French entry was withdrawn, due to the death of French President Georges Pompidou. Bookmakers decided that this would benefit Italy, who had the other highly rated ballad and the Italian song "Si" started as favourite to win in Brighton. Those who preferred more contemporary up-tempo songs seemed spoilt for choice with the Netherlands, Luxembourg, Sweden, Ireland and the U.K. all having strong entries. 

The United Kingdom was second in the running order and were represented by Australian Olivia Newton-John, who had already had had a string of worldwide hits with a series of soft country songs, but her Eurovision entry was very different. "Long Live Love" owed more than a little to Blue Mink's "Banner Man" but with a catchy chorus and a fine performance it was certainly one for the others to fear. After Spain had given us flamenco and the debut Greek entry brought bouzouki to Eurovision for the first time, the next serious contender was the Swedish entry. "Waterloo", written and performed by the four-piece  group ABBA. From the moment the Swedish conductor dressed as Napoleon took the podium and the two female singers dressed in the glam rock outfits bounced onto the stage, everything about this bright cheery song made it clear that Sweden had a serious chance of its first ever Eurovision win.

Three songs in French followed, before the Dutch entry "I See A Star" performed by the Mouth And McNeal duo used the gimmicks of a barrel organ and puppets to supplement their singa-along song. Ireland were up next and Tina's joyful and professional performance of "Cross Your Heart" would have been a serious contender for victory in any other year, but not in this company. The favourite, the Italian song "Si" by Gigliola Cinquetti was the last to be performed. Despite years of experience including her Eurovision win ten years earlier, this was not the most assured performance of the evening. As the television audience watched the interval act, The Wombles, performing their hits, it looked like we would have one of the most open contests ever. 

The original intention was to implement a new voting procedure in 1974, the one which is still used today, but given the time constraints and the difficulties in setting it up, it was decided to postpone its introduction for a year. Instead the earlier system of ten jurors per country, each voting for their favourite, was brought back, but a tie-break mechanism was also in place to avoid a re-occurrence of the 1969 voting fiasco. However countries did not vote in the order they performed, for example Italy who had performed last, voted first. Trying to remember who had and hadn't voted was therefore very difficult. 

At the halfway point it was almost impossible to predict a winner. The U.K., led with 12 points, from Sweden with 11 with Luxembourg, Monaco and Italy all on 10. However after getting 3 points from Netherlands an 2 each from Israel and Norway, Sweden began to open up a small but significant lead.  Finland was the second last jury to vote and the 5 points they awarded to ABBA made the first Swedish victory almost certain. In the end Sweden's 24 points was 6 ahead of Italy with the Netherlands a further 3 points behind. Olivia Newton-John ended up sharing 4th for the U.K., with Tina sharing 7th for Ireland. 

For the first time since 1969, Eurovision had an up-tempo winning song. It was obvious that "Waterloo" would become a huge hit and within a few weeks it had jumped to number one in the charts all over Europe. As well as the original version in Swedish, ABBA also recorded the song in French and German. However it was the English version that blasted out from the radios of Europe for months after the contest. The song also hit the charts in places like Japan, Australia and the USA and Eurovision's reputation for constantly producing ballad winners was blown away forever. 1974 remains the only year where all the songs which finished in the top three positions at Eurovision all went on to be big international hits. 

As well as being synonymous with Abba, "Waterloo" has also been recorded by several other acts including Doctor & The Medics and Abba Teens. It has also been covered on Abba tribute albums by rock group Nation and by Bananarama. In 2004 to celebrate the 30th anniversary of the Eurovision win, the single was re-released and became a Top 20 hit once again.

THE PERFORMERS / SONGWRITERS

The story of one of the most successful groups in the history of pop music began in earnest in 1972 when the four members ABBA started recording together for the first time. Benny Andersson (born in Stockholm in 1946) was a member of the Swedish rock band Hep Stars who were very popular in Scandinavia during the 1960s. During the same same decade, Björn Ulvaeus (born in Gothenburg in 1945) was fronting  a skiffle group called the Hootenanny Singers whose sound was softer and more easy-listening than the rockier Hep Stars. Benny and Bjorn first started writing together in 1966 and one of the first songs "Isn't It Easy To Say" was a big hit in Sweden for the Hep Stars. Stikkan (Stig) Anderson who was manager of the Hootenanny Singers saw the potential in the duo working together and encouraged them to write more songs and create an album "Lycka" (Happiness) and released on the Stikkan Anderson's Polar record label.  

At the same time as Benny and Bjorn began working together, Agnetha Fältskog (born in Jonkoping in 1950) was becoming a pop phenomenon in her own right, writing and performing Swedish hits while in her teens and also starring as Mary Magdalene in the Swedish production of "Jesus Christ Superstar". While touring Sweden on the pop and folk circuit, Agnetha met and began a relationship with Bjorn Ulvaeus, and when they married in 1971 is was one of Sweden's biggest weddings of the year. Norwegian born Anni-Frid (Frida) Lyngstad was a part-time cabaret singer who first came to attention through winning a talent show in 1967 at the age of 22, and her career immediately took off.  She met Benny Andersson while on tour and they became lovers and he invited Anni-Frid to sing uncredited backing vocals with Agnetha on the "Lycka" album. 

Under the direction of Stikkan Anderson, Benny and Bjorn made their first attempt at Eurovision in 1972, writing "Say It With A Song" sung by Lena Anderson, which came third in the Swedish selection. Later the same year the quartet released "People Need Love", another Andersson and Ulvaeus song, under the name "Björn & Benny, Agnetha & Anni-Frid" and it became a hit in Sweden. In 1973 the group had their first fully fledged attempt at Eurovision. The music for "Ring Ring" was composed by Benny and Bjorn and the lyrics were written by international hitmaker Neil Sedaka and his songwriting partner Phil Cody. The catchy song was widely expected to be the Swdeish entry in Luxembourg, but surprisingly only finished third in the Swedish selection. Despite this, it became a huge hit in Sweden and also reached the charts in many European countries. It also became the title track of the group's first album. Around this time Stikkan Andersson, the group's manager, started to refer to the group privately and publicly as ABBA, which was also the name of a well-known fish cannery in Sweden. Stikkan came to believe the name would work in international markets and it stuck.

A year later it was to be third time lucky for Benny and Bjorn. Together with Stikkan, they composed "Waterloo" and this time won the right to represent Sweden at Eurovision. The song was produced by Michael B. Tretow who had a distinctive "wall of sound" technique, similar to that of Phil Spector and which was very fashionable in the mid 1970's thanks to the hits of Roy Wood and his band Wizzard. Soon after the success of "Waterloo" in Brighton, the song went on to top the charts all over Europe and Stikkan Anderson's international ambitions for the group looked like they were going to be fulfilled. However rather surprisingly things started to how downhill very quickly. In the U.K., the follow-up single was "Ring Ring", but it failed to reach the Top 30. In Europe, "Honey Honey" was chosen as the follow-up to "Waterloo" and it too failed to make anything like the impact of the Eurovision winner. Ironically a cover version "Honey Honey" by the group Sweet Dreams reached the British Top 10, taking advantage of the song not being released on a single in the U.K. ABBA's album also called "Waterloo" also initially failed to become a best seller outside of Sweden. In early 1975 the band returned to the studio to work on a new set of songs.

The first single from the album "I Do, I Do, I Do, I Do, I Do", became a minor hit in Europe but again failed to reach the U.K. Top 30, however things took a dramatic turn for the better, with the release of the next single "S.O.S". That song hit the Top 10 all over Europe, including the U.K. and helped launch the group's third album, titled simply "ABBA". The next single "Mamma Mia" saw ABBA top the charts all over the continent and helped establish them in the Australian market, where they would go on to become the biggest selling artists of all time. 

Despite the success of the singles, the "Abba " album was initially not as big a success as the group and the record company had hoped for, so an unusual decision was made. Despite only having a handful of hits in the two years since winning Eurovision, ABBA released a "Greatest Hits" album in April 1976. The compilation which went on to be a multi million seller contained tracks from the group's three previous albums, with the addition of one new song, the ballad "Fernando" which was released as a single, enjoying massive success all over the world.  The group began to tour and would soon become the most popular pop group in the world.

The second half of 1976 saw Abba release the song that many consider their greatest, "Dancing Queen" which went to number one in almost every singles chart in the world, including Japan and the USA. By the end of the year, the group's "Arrival" album had become another massive success and further hit singles followed with the cabaret styled "Money, Money Money Money" and the more mature and reflective "Knowing Me Knowing You". By the end of the year ABBA had famously overtaken car manufacturer Volvo as Sweden's biggest earner of foreign currency.

In 1977 ABBA concentrated on touring the globe and returned to the studios to record their next collection of songs. The brand new single "The Name Of The Game", which became another huge hit towards the end of the year. In 1978 Abba became a multimedia phenomenon with "Abba : The Movie" (filmed the previous year on their Australian tour) becoming a massive hit in cinemas all over the world and "Abba : The Album" becoming another multi-million seller and spawning a second hit single "Take A Chance On Me". In some countries the semi-orchestral song "The Eagle" was also a hit. However the most memorable track on the album, "Thank You For The Music" which would be ABBA's anthem, would not see the light of day as a single, for another few years.

Surprisingly the next ABBA single, the disco flavoured "Summer Night City" released in late summer of 1978 was not as big a success as previous hits, perhaps due to a complacent lack of promotion by the group. In early 1979 the group performed a new song at a special UNICEF concert. "Chiquitita", despite seeming to be a pale imitation of the earlier "Fernando" was another big seller. The summer of 1979 saw ABBA stray from their traditional sound to embrace the two big music trends of the time, punk and disco. "Does Your Mother Know?" which quite unusually had lead vocals by Bjorn had a punky guitar sound and the double a-side "Voulez Vous" and "Angel Eyes" were both pure disco as was their next single "Gimme Gimme Gimme (A Man After Midnight)". ABBA also extensively toured the one part of the world where they weren't dominating the charts; North America. While the tour was successful, ABBA were never as successful in that territory as in the rest of the world. Touring limited their chances of recording new material and lead to the "Greatest Hits Volume 2" compilation, which became one of the band's biggest selling albums ever, at end of 1979. The new track "I Have A Dream" topped the charts in Europe, but just missed out on being the UK Christmas number one.

By 1980, the relationship between Agnetha and Bjorn was clearly falling apart, and the powerfully emotional single "The Winner Takes It All" showed a new maturity in the songwriting of Andersson and Ulvaeus. That song which brought ABBA their eighth UK number introduced the world to the "Super Trouper" album. While it was another commercial success, it showed a lack of creativity that had been the hallmark of the group's earlier work. However it yielded two further hits with the title track and the disco tingled "Lay All Your Love On Me". In 1981 the foursome recorded their their final album. "The Visitors" departed from their early poppier sound and tackled more serious subjects.  The melancholic single "One Of Us" gave Abba their final Top 10 hit at the end of 1981. 

By now the group while still drawing huge audiences to their live shows, were beginning to lose their dominance in the charts and recorded just two more songs for another compilation album released at the end of 1982. However both singles "The Day Before You Came" and "Under Attack" were very minor hits, and it soon became clear that ABBA's days as a group were over. During the rest of the 1980's ABBA were considered passé and seemed to be consigned to the bargain bins of pop history. Both Agnetha and Frida released several solo albums, to very limited success outside of Sweden. In 1984 Benny and Bjorn worked with Tim Rice on the stage musical "Chess", which generated good reviews and was a sell out on the West End and Broadway and toured many countries. 

However things changed in 1992 when the band's catalogue changed hands and another compilation "Abba Gold" became a massive success, finding a market in both ABBA's former fans and the next generation of pop music buyers.  Ever since then a series of compilation albums, re-releases, DVDs and television specials has kept the name of ABBA in the charts and for the last ten years the group have once again been multi-million sellers every year. The musical "Mamma Mia" which uses the ABBA songbook to tell its story has been one of the most successful stage musical of the last five years. The four members of the group have been offered enormous sums of money to record or tour together again, but they have refused every offer, mainly due to the reclusiveness of Agnetha. Sadly Stikkan Anderson the man who had done so much for ABBA, died on September 12th, 1997. 

2004 saw the 30th anniversary of  ABBA's Eurovision win and as a tribute to Eurovision's most successful winners, a special segment featuring the band was shown in the semi-final of the Eurovision Song Contest staged in Istanbul. It is unlikely the group will ever perform together again, and it is certain they won't be in Copenhagen. 

BEST EUROVISION SONG EVER?

BEFORE THE SHOW I SAID : It is no overstatement to say that the victory of "Waterloo" in 1974 has had a bigger impact on the world of popular music and of Eurovision, than any other winner before or since. Whether ABBA would have been as successful without the initial international audience that Eurovision gave them, is debatable, but the impact on Eurovision was immense. The question is, is that enough to make "Waterloo" the greatest Eurovision son of all time? I must admit that I would be amazed if "Waterloo" does not win in Copenhagen. ABBA's place in Eurovision history is so well established, that it is hard to see any of the other songs in competition gaining enough support to beat "Waterloo", however for me as a song, it is nowhere near ABBA's best, and it may not be as good as either "Volare" or "Congratulations".      

AFTER THE SHOW I SAY : Was there ever any doubt about the result? ABBA's later reputation guaranteed victory for "Waterloo" and the only surprise was that fourteen countries didn't give it their top marks and that Germany, Greece and Portugal didn't even have it in their Top 3. Nevertheless it's probably a deserved victory for an all-time Eurovision classsic.